By Ray Siemens, Susan Schreibman
This Companion deals an in depth exam of ways new applied sciences are altering the character of literary reports, from scholarly modifying and literary feedback, to interactive fiction and immersive environments.
- A whole assessment exploring the applying of computing in literary experiences
- Includes the seminal writings from the sphere
- Focuses on equipment and views, new genres, formatting concerns, and top practices for electronic renovation
- Explores the recent genres of hypertext literature, installations, gaming, and internet blogs
- The Appendix serves as an annotated bibliography
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Extra info for A companion to digital literary studies
Positions (A. ). Chicago: University of Chicago Press (Original work published 1972). , and J. ). ’’ Institute for Advanced Technology in the Humanities, University of Virginia. html>. Accessed September 9, 2006. Eisenstein, E. L. (1983). The Printing Revolution in Early Modern Europe. Cambridge: Cambridge University Press. Ernst, W. (2000). oucault: Weimarer Vorlesungen u¨ber Archive, Archa¨ologie, Monumente und Medien. Weimar: Verlag and Datenbank fu¨r Geisteswissenschaften. Freud, S. (1958).
Control Through Communication: The Rise of System in American Management. Baltimore: Johns Hopkins University Press. Zuboff, S. (1988). In the Age of the Smart Machine: The Future of Work and Power. New York: Basic Books. 2013 1:38pm Compositor Name: ARaju 2 ePhilology: When the Books Talk to Their Readers 1 Gregory Crane, David Bamman, and Alison Jones Writing, Phaedrus, has this strange quality, and is very like painting; for the creatures of painting stand like living beings, but if one asks them a question, they preserve a solemn silence.
Its goal is to tell a good story of new media encounter that has the maturity of a good world of messy, reversible, and imaginative possibilities. To do so, the volume has really just one trick to play – but what a powerful Coyote or Crow trick it is. The trick is to play the ‘‘old’’ and ‘‘new,’’ ‘‘codex’’ and ‘‘digital,’’ and ‘‘literary’’ and ‘‘informational’’ off each other in ways that thwart any facile modernization narrative and foster surprising recognitions about the scholarly and cultural potential of new media.