Download 100 Ways to Make Good Photos Great: Tips & Techniques for by Peter Cope PDF

By Peter Cope

A realistic, available consultant to turning your sturdy photos into nice ones even if you're capturing at the newest electronic SLR or a digital camera phone!

• become aware of a hundred easy and enjoyable how one can enhance your images either in-camera and during post-processing photograph manipulation.
• each key photographic style is roofed, from excellent photos and the good outside, to commute pictures and taking pictures at night.
• jam-packed with inspirational examples of serious pictures in comparison opposed to the extra regular photos, with effortless to keep on with innovations for the way you could in attaining an identical results.

Whether you're an aspirational novice eager to make your pictures even greater, or an enthusiastic newbie who simply desires to produce extra pleasurable effects, 100 how you can Make solid pictures Great offers you valuable expert suggestions and strategies to take your images to the subsequent point.

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Additional info for 100 Ways to Make Good Photos Great: Tips & Techniques for Improving Your Digital Photography

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Enfin, on tiendra compte des points d'intérêt naturels de I'image (chapitre l0). d'æil ou par le tracé d'un schéma régulateur (quadrillage) tenant compte de la "règle des tiers". p a r c eq u ' e l l e sn e s o n t n i t r o p froidement centréessur les axes de l'image, ni trop franchementexcentrées. La tentation fut forte de mettre cela "en équation", d'où le partage du tableau selon la règle du nombre d'or, proportion arithmétique considéréecomme particulièrement esthétique par les Anciens.

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De même,leséléments secondaitestrop anecdotiques,s'ils ne Deuvent être éliminés, seront souventfondus dans une massePlus importante de façon qu'ils n'attirent plus le regard. i,l;ii,rili;{r 44 massesreprésentées et de leur coloration. Par exemple, lorsque deux tiers de la scènesont dans I'ombre (ou de tonalité foncée),le troisième tiers pourra être de tonalité plus claire. - On ne répartira jamais les masses(les pleins, les élémentssolides représentés)sans tenir compte des vides ou espacesque les pleins généreront(chapitre9), sachantque les vides peuvent parfois avoir une valeurexpressive a u s s ii m p o r t a n t e que les pleins.

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